Blue Heron is a moving and rawly believable portrait of a family

‘I like representing the figure’

Wilde life in the raw: Oscar’s ‘poor dear brother’

‘We saw black and white kids fighting each other and thought: ‘This is no good, we can stop this’’

Review: A Fine Idea, at Arcola Theatre

Review: Driftwood, at Kiln Theatre

Review: Under the Shadow, at Almeida Theatre

Michael White’s classical news: Proms at St Jude’s; Elisabeth Leonskaja; Drew Steanson; Four Seasons; Spitalfields Festival

Oddball space adventure comedy deserves cult status

Visionary works of mystery

‘The murals were seen as being for everyone’

Hockney and me – the naked truth

The out crowd

Review: White Rabbit Red Rabbit, at Duchess Theatre

Review: Are You Watching?, at Royal Court Upstairs

Review: War Horse, at Olivier, National Theatre

Michael White’s classical news: Summer Music in City Churches; Seven Sins of Tango; Katya Apekisheva; Fenella Humphreys

Spielberg’s latest encounter with aliens feels fitting for a Trumpian America

‘Festival culture in the UK is the best, and by far the most extensive’

Constable on the beat: how painter was drawn to ‘the lungs of London’